Ryan Bush - IB Language and Literature

Analysis of the Artwork: The date of this artwork ranges from 1573–1620, and come from the c ulture of  Britain, London mounts, and Chinese porcelain. The m edium is p orcelain, silver-gilt mounts with the d imensions of  e 13 5/8 in. (34.6 cm) in height.  This piece of art falls under the c lassification of M etalwork-Silver In Combination and its c redit line is  Rogers Fund, 1944.  This artwork is a porcelain piece that holds great value.  It has elegant colors, such as blue and gold, that add to the value of the piece.  This porcelain was considered to be rare and represent royalty, a gift often given to furnish princely homes.  The smooth texture creates an elegant feel, as well as the smooth curves in the art.  The society helps reinforce this artwork as those in Britain at this time see this piece and hold it in high regards.  In the context of the time period, this piece represents social values, serving the purpose of being a highly valued piece representing royalty or

Jane Eyre vs. The Canterbury Tales How do the elevated diction and elaborate syntax contrast with the feelings of the narrator in paragraphs 11-12?   A          After reading an excerpt from Jane Eyre, written by Charlotte Bronte, I have decided to go into answering the question above, analyzing paragraph 11-12 of the expert provided.  The diction of these two paragraphs could accurately be described as "elevated": using formal language and providing differentiation from the rest of the text.  These two paragraphs were more descriptive than the previous ones, which engaged myself as a reader and peaked my interest. " I had been looking out daily for the "Coming Man," whose information respecting my past life and conversation was to brand me as a bad child for ever: now there he was."  This quote left a cliffhanger, stating how she had finally found the "Coming Man'.  This led me to read the next paragraph where I noticed a syntax change-